Thursday, June 2, 2011
Back aboard
First off, though, let my fond hope be known: that this blog will prove a gathering place for bright minds and scintillating discussion (and perhaps even idling) as we—well, most of us—move on from library school to the rest of the wide world. Let our physical dispersal only reinforce our intentionality in posting!
--
That said, I’d like to take a few minutes to reflect on my experiences with the group work aspect of library school. In a conversation with a professor last night I mentioned that it’s only in the past two years, through having to write papers cooperatively, that I really feel I’ve learned how to write. He expressed surprise and mentioned that this isn’t a perspective he often hears. And it got me thinking—do we not discuss the beneficial aspects of group work because they're few and far between, or because group projects are just one of those things we’re used to complaining about, perhaps using to commiserate?
When I say I learned to write, of course, I don’t mean how to string a sentence or some thoughts together, but how to approach writing—how to respect and give myself enough time to work through the process. I’m sure that part of this has to do with observing other work styles up close and seeing where they are more (or less) effective than my own; and that part of it is the inevitable result of continuing to write, get feedback, adjust, repeat. But I don’t think this shift would have happened as quickly or enjoyably were it not for a few specific projects during which I was finally able to experience the ideal goal of group work: dividing responsibility and feeling confident your colleagues will do their part; refining ideas together; and building upon one another’s insights to create something that none of you could have come up with on your own.
In reflecting on the power of these experiences in my own graduate school career--the affirming effect they’ve had on my feelings about my decision to enter this particular field, as well as shifting my perspective on the value and possibilities of group work in general--I’m struck by two things in particular.
The first is the centrality to this transformation of the specific people I’ve worked with; obviously this type of learning comes most easily when the group you’re paired with are effective writers, workers, and collaborators themselves, and you all have something to teach one another (and are willing to learn). The second is the contrast between the several very positive group work experiences I have had, and the (about as frequent) extremely negative and frustrating attempts at productivity in groups that did not work well together. I’m sure we’re all more than familiar with that particular story—the member who won’t pull their weight, doesn’t follow through on promises, and/or relies on the fact that someone in the group will care enough to take on more than their share if it becomes clear that’s the only way things are going to get done.
There seems to be a prevalence of group work in library masters' programs in particular, and I've often heard its use discussed with reference to the collaborative nature of the field. Given that I've been in plenty of group projects since early grades but never found this felicitous convergence of skills and personalities until now, I would love to hear what others think. Are we all just more mature and ready to work together? Or are my expectations now too idealistic, and did I just get lucky with my groupmates? (Or my cohort—there are a number of other people I could imagine being happy to work alongside). What’s been your experience with group projects? The ratio or range of bad-to-good? Are group projects a useful approach for library schools to employ? And, for those in the work world, did any of these experiences prove useful in preparing you for employment in the field?
Monday, May 16, 2011
Extra! Extra! Read all about libraries! Hot off the press!
Robots in the library!
http://www.youtube.com/watch?v=ESCxYchCaWI
A very nice post from Salon about the New York Public Library and the role of the library as public space and place:
http://www.salon.com/books/laura_miller/2011/05/11/nypl_centennial/index.html
Seth Godin makes a good effort in this post, though I don't agree with everything:
http://sethgodin.typepad.com/seths_blog/2011/05/the-future-of-the-library.html
For interesting commentary on all of this:
http://www.metafilter.com/103550/Why-should-I-have-to-wait-for-a-damn-robot-to-get-me-my-book
Friday, April 29, 2011
The Meaning of Quiet, and the Value of Limits
My work at Seattle Central Community College has really impressed upon me why quiet--and noise--matter in a library environment. Having come from a household where it was never difficult to find a totally silent room to read, write, or think, I always thought that the librarian's insistence on hushed voices was either a character flaw or a mad grasp at power. One can be quiet anywhere, I thought, but it's not everywhere that you can find like-minded thinkers in the same place, so why not let the people chat?
The first time a student came to the desk to beg me to supervise the silent zone, my thinking began to change. The library, for many of the students at SCCC is the only place where there's not a TV on, or a baby crying, or a hundred obligations jockeying for attention.
To be in a place where no one is intruding on your thoughts, what a relief in a world of talking billboards, pop-up advertisements, and ubiquitous product placements. How is a book like a library? We can choose (more easily) to give it limits that are difficult to maintain in many other areas of our lives. While a physical book may have references, allusions, and all sort of connections to other texts, peoples and histories, it is not hyperlinked. I cannot check my email on my paper copy of Jane Eyre (which of course I could if I were reading it on a Kindle). Likewise, a physical library has physical walls, within which certain standards are upheld: resepect for thought, freedom from coercion, help that is offered free of charge. We all need help setting limits for ourselves in a time when most of us complain of information overload and a lack of concentration.
Of course, I am already thinking of a number of counter arguments to my own points: hyperlinking is amazing, and has its roots in the paper book; communications is just as important as quiet contemplation, etc., etc. I still think it's important, though, to respect the impulse to set limits, to sometimes sequester ourselves from a world that constantly drives a hard bargain right in our faces, and, as Ian beautifully put it, to sometimes idle with our thoughts.
Sunday, April 17, 2011
Provisional argument about the importance of the book in the library, or How I Haven't Learned to Stop Worrying and Love the Kindle
Friday, March 18, 2011
Now---for a breath I tarry Nor yet disperse apart--- Take my hand quick and tell me, What have you in your heart?
Monday, February 28, 2011
Where does the Library Fit?
Ok, here are my thoughts:
There is a reason, I think, that great pieces of literature, like The Name of the Rose, or Borges’s short stories, or Something Wicked This Way Comes, have been written about the library. It is a place where minds can meet, across time, across language, and across geography, through pages (be they paper or electronic), without regard to income, or education. Libraries are beguiling precisely because they are so free—of prejudice and of cost. Libraries are mysterious because there are so many words, images, people, and potential secrets in them—but they are a mystery that anyone is welcome to solve.
While the experience of higher education is all about the meeting of minds in classrooms, and on group projects, the library gives the learner a chance to discover ideas entirely on her own terms. That is why I see the library as a perfect, and necessary, compliment to classroom learning. While we sometimes want to be guided in our learning: given a reading list, assigned a topic, asked a guiding question; sometimes we want to be able to develop our own reading list, research our own topic, and ask our own questions (of an interesting book, or of a very helpful and eager librarian!).
In my work at Seattle Central Community College, I see the library filling myriad roles in students’ lives that would not be filled in its absence. The library is bursting with students, but it is also a place of quiet study and contemplation. The library is a place with big tables and small study rooms where students can tutor each other or work together on projects. The reference desk is a first point of contact for students looking for help—help finding research, help finding the tutoring center, help using a computer or printing out a paper. It is a place, outside of the short minutes in the classroom, where students can think, work, see each other, and get assurance and guidance.
For this reason, I think that the library is a logical place to situate information technologies like computers, DVD players, and assistive devices, because they are a continuation of older information technologies (like books). It is often a logical place to house other support services like tutoring and writing centers, because students naturally think of the library as a place to turn when they need help.
Admittedly, I am library-centric, but I do believe that, just as we gather like things together on the shelves, so should we gather like things together in (or through) the library. As part of an institution of higher education, I see the library as a hub of enrichment for students, faculty, and staff, where all are welcome to inform themselves—and get help doing it. It is a place where the walls between disciplines can dissolve, and where we can all get something done.