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Showing posts with label copyright. Show all posts
Showing posts with label copyright. Show all posts

Monday, May 6, 2013

Copyright Roundup: ACRL 2013 and in the Library Classroom



Recently I’ve been thinking about copyright and fair use, and specifically what we are telling students about these increasingly important matters. I think a lot of times we shy away from talking to students about copyright, because we are worried about giving them legal advice or because we assume that they don’t care and won’t listen. However, I think it is really important to talk to students about copyright, because we want them to be responsible users of copyrighted materials and responsible owners of copyrighted materials. If we don’t talk to them about the important social and economic issues around knowledge creation and production, where will they get their ideas about copyright from? The people who are talking the most vocally about it: big media conglomerates who have an interest in protecting their intellectual property at all costs. And if we don’t teach our students about fair use? Probably no one else will.

Flickr user: opensourceway

At ACRL 2013
this past month, I attended a session of three conference paper presentations that all had something to do with copyright. Jean Dryden discussed how online archives struggle with how to educate their users about copyright, and ultimately often fail to do so. I think we (librarians and other information professionals) should be taking every opportunity to talk to our users about these issues, especially in the case of archives, where we are the copyright holders or at least stewards of those copyrights. 

In the same session, James Neal, described the challenges and dangers we face on the intellectual property landscape. Corporate media interests and lobbyists are exerting pressure in Washington, D.C. for copyright reform in their favor, and the new director of the U.S. copyright office is indicating that she is looking for a new set of major copyright reforms. The Supreme Court and other courts have recently taken on a number of cases around copyright and intellectual property. Digital rights management is ever encroaching on our ability to own and use copyrighted materials. What have we been doing to be a part of or even a lead in these conversations? Neal pointed out that when professional bodies create ‘best practices’ they often undermine risk taking. In my favorite line of his talk, Neal reminded us, “Fair use is not civil disobedience; it is our most important tool and must be preserved.” 

Katie Fortney actually provided a great example of how we can use and protect fair use in her talk describing the creation of the Grateful Dead digital archive. She described how they triaged the items going into the collection, deciding if and how they would try to get permission from the copyright holders. For the 23,000 items that they posted under the presumption of fair use, they have received only 15 takedown notices and no claims of copyright infringement. Fortney said that it is misguided to allow fears about copyright guide our decisions about what to put into digital collections—we should be trying to make the best and most useful collections and we can use fair use to do so.

So what does this mean for reference and instruction librarians? I find that opportunities to talk about copyright and fair use come up all the time, and it is pretty easy to slip in some quick information about copyright. When students want to search for images, I send them to Flickr and show the advanced search options for Creative Commons licensed materials. When I cover citations in instruction sessions, I bring in the concept of fair use. (Kevin Smith this week laid out the three questions he tells students (and faculty) to ask themselves when considering fair use: “First, will the “quotation” of the original help me make my point?  Second, will it help my reader/viewer get the point?  Finally, did I use no more than necessary to make my point?”) In fact, I’ve had very engaged discussions with first year students on these topics, because these students have all run up against DRM when downloading or streaming music and videos online. This is a great way to talk about ownership and knowledge production, and to highlight the different norms in different communities. This is precisely the kind of information literacy I want my students to have because it so clearly translates from their academic selfs to their social and professional selfs. 

As I asked above, if we don’t talk to them about these things, who will?

Thursday, October 4, 2012

Open Access to Open Educational Resources

While watching the webcast "Connecting the Dots between Open Access and Open Educational Resources," I noticed something interesting: the graph that represented the cost of college textbooks for students versus the rate of inflation looked almost identical to a graph that I saw 3 years ago at a presentation on the rising costs of periodical subscriptions.  Both graphs represent staggering rises in the cost to students and libraries for materials that rarely make the college professors and researchers who create them much money.

While libraries have been decrying the crisis in scholarly communication for years, and shrinking their book budgets to accommodate the bigger piece of the pie that periodicals are gobbling up, many students, according to webcast presenter and student Nicole Allen, seem to have adopted a different strategy: simply not buying their textbooks.

I don't think we should underestimate the undue burden that is placed on students by the onerous cost of textbooks (if you've never had a student at the reference desk in tears about how much she has to shell out for her biology textbook, consider yourself lucky).  Even if they've scraped together the loans to pay for tuition, it's sometimes that $200 economics textbook that means the difference between making rent and dropping a class.  The cost of materials should never be the deciding factor for a student's intellectual development, and the way that we, as librarians and scholars, can mitigate that potentiality is to pay a little more attention (or a lot more attention) to the Open Educational Resources (OER) movement that has been gaining traction in recent years.

The infrastructure for vetting instructional material is not as well developed for OER as it is for traditional textbooks, and this presents a barrier to widespread adoption of OER by instructors.  Most professors know the publishers that are well-respected in their field, they've seen the same names on articles and monographs since they were undergraduates, and using this information, they can make a quick choice of high quality course material from amongst traditional sources while they're in the midst of determining all of the other crucial elements of their course.  Getting newly acquainted with platforms for OER, looking through all new textbooks, and evaluating their quality is a lot to ask of busy instructors.

But vetting material is what librarians are all about, and I think that marriage of student need and instructor/librarian expertise is the making of a truly useful collaboration.  Just as we do for our normal collection, we can begin to look at the OER that are out there for our subject areas and create curated lists to present at our next faculty meeting.  Both webcasters suggested a great list of places to find OER, and two of my favorites are:
  • Washington State's Open Course Library- a project that took the highest enrollment courses in the state and asked professors and librarians who worked with those classes to design free or very low cost materials--including syllabi, textbooks, and assessment--to be shared under a Creative Commons license (CC BY).
  • Open Courseware Consortium- acts as a clearinghouse of OER material from the likes of Tufts, MIT, and the University of Michigan to be used by educators around the world (I like to look at the MIT literature courses just to see which authors are being taught these days).
A few libraries have begun to take active roles in promoting OER at their institutions--UMASS Amherst, for instance, has begun distributing grants to instructors to support their efforts to adopt OER in their courses--but according to webcast presenter Cable Green, most libraries have focused their intellectual and political energies on the Open Access movement and spent very little time looking at OER. 

The first step that I've decided on for myself is to head over to the campus bookstore to see just how much students are actually shelling out for course materials in my departments.  If it turns out that the cost is burdensome, I am going to take a look at some of those courses and see if I can match them up with some of the peer-reviewed OER that I find online.  Armed with that information, I think I could make a good case to the instructors in my liaison areas to consider alternative texts, and maybe save their students some serious money in the next few quarters.

Monday, August 13, 2012

Update on GSU E-Reserves Case

The Chronicle reports that on Friday Judge Evans issued an order that denied the requests for relief from the publishers and also directed the publishers to pay for GSU's court costs. The publishers had asked the court to require GSU to keep strict and regimented records of its e-reserves, and to turn them over for monitoring. The court denied this request, because it is excessively burdensome and the court determined that GSU had acted in good faith.

For some great analysis and interpretation of this latest development, see Scholarly Communications @ Duke.

Tuesday, July 24, 2012

What the GSU E-Reserves Case Means for Libraries Now and in the Future


There has been a lot of insightful and thorough discussion of the copyright infringement lawsuit filed by publishers against Georgia State University, notably by Kevin Smith at Duke, at Library Journal, and at The Chronicle of Higher Education. In the post below I recap the events for those who have not be following, discuss the purpose and value of reserves, and examine the implications of the GSU ruling for librarians and others who support fair use in higher education.

GSU Recap
In 2008 three academic publishers (Cambridge, Oxford, and Sage) filed a lawsuit against GSU claiming that their e-reserves policy amounted to widespread copyright infringement. The lawsuit was bankrolled by the Association of Academic Publishers and Copyright Clearance Center; CCC is a for-profit company that contracts with publishers to license the use of electronic excerpts of copyrighted works. (See Educase summary). The publishers submitted a list of 99 instances where they felt that GSU was violating their copyright.

In May of this year (so, four years after the lawsuit was first filed), the U.S. District Court for northern Georgia released its 350 page opinion on the case, written by Judge Orinda Evans. The upshot? The Court found that in 94 of the 99 cases fair use applied and GSU had not violated the publishers’ copyrights. Generally people see this as good news for GSU and for universities in general, though the case is not definitely settled and may well be appealed.

The bulk of the opinion is an instance-by-instance examination for 74 of the 99 cases, but Judge Evans also gives general thoughts on when and how a non-profit educational institution can claim fair use of copyrights materials. Before I get into the implications of the ruling, though, I think it is important to step back and think about the purpose and value of the e-reserves in higher education.

What is the purpose of (e)reserves?
Whenever I get to know a new library, I always ask about reserves. As a student in grad school, my professors saved me hundreds of dollars and provided lively, interdisciplinary courses through the use of e-reserves. No other institution where I’ve worked or studied has used e-reserves as heavily as the iSchool (indeed, my non-LIS graduate program made much less frequent use of reserves). I can see how a publisher reading this might blanch at the lost licensing income, but in reality the culture at the iSchool was to use e-reserves as a convenient place to store all of the course readings. Many of the readings were articles accessible (and properly licensed) through the library’s databases. Nonetheless my pocketbook and I greatly appreciate the terms when I was able to spend a mere $20 or $30 on “textbooks.”

In general it seems the use of reserves (electronic or otherwise) varies by institution, department, and even instructor, based on culture, expectations, and preferences. Likewise, the purpose and value of reserves is not the same everywhere. Some instructors don’t use reserves because there are good textbooks available for a course (also, sometimes, because it is just easier), while others need to use reserves because the course draws on a wide and interdisciplinary set of works (and also perhaps to save students money). To be clear, I think it is perfectly valid for an instructor to make use of reserves in order to save students money. I do not think that doing so is necessarily or even likely to be a violation of copyright, and I think that the recent GSU ruling upholds this view.

Practical Implications of GSU Ruling
The ruling is ultimately about fair use of copyrighted works. Fair use is a notoriously (and purposefully) vague portion of copyright law that allows some unlicensed use of copyrighted materials in some instances. At many institutions, libraries craft guidelines or policies for what materials can be considered fair use, but leave it up to professors to determine what they select for fair use. For those who haven’t been pouring over copyright laws recently, the four factors that are weighed in determining fair use are:

  1. the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes;
  2. the nature of the copyrighted work;
  3. the amount and substantiality of the portion used in relation to the copyrighted work as a whole; and
  4. the effect of the use upon the potential market for or value of the copyrighted work.
In her opinion, Judge Evans determined that in the majority of cases, GSU’s e-reserves were covered by fair use. Specifically, Evans found that the first factor weighed heavily in favor of GSU because it is a non-profit education institution. The second factor also weighed in favor of GSU, because the works in question were all factual in nature.

The question gets more complicated in the third factor. Publishers would like there to be a hard and fast rule about how much of a work can be used under fair use, and they would like that amount to be very little. Evans considered rulings from other key copyright trials and ultimately suggested these guidelines for acceptable fair use: for works with 9 chapters or fewer, 10% of the total pages; for works with 10 or more chapters, 1 chapter may be used. Notably, the Judge deemed that it was “impractical, unnecessary” to prohibit the use of the same excerpt from one term to the next (p. 71), which is a guideline that many institutions follow. Thus, though many librarians and professors are disappointed that the Judge set out a “bright line” rule, she rejected the narrow, limited guidelines that the publishers called for.

The fourth factor for fair use also resulted in a complicated ruling. The Judge rightly pointed out that income from licensing is a very small percentage of the publishers’ overall income. However, she again drew on existing case precedents to determine that when “permissions are readily available from CCC [Copyright Clearance Center] or the publisher for a copy of a small excerpt of a copyrighted book, at a reasonable price, and in a convenient format” (88-89) then unpaid use of that material is not considered fair use.
This ruling is not binding for other libraries or higher education institutions, though as Educase points out it is likely that the opinion could be used in future copyright disputes. 

Though this may seem to help clarify fair use, this opinion will not be legally binding for other institutions. Indeed, the ALA is urging libraries not to change their fair use policies quite yet. Additionally, this case is part of a long-term trend that has important implications for libraries everywhere. 

Long-term implications
As a said earlier I think the laudable purposes of e-reserves include making course readings free and easily accessible to students and enabling professors to design courses that draw on diverse and interdisciplinary resources. Though libraries do not have to be involved in providing e-reserves, many of them are for obvious reasons, and I think the purpose of e-reserves dovetails with the spirit and values of academic libraries. I think it is important to note that many items put on e-reserves are items that the library has already paid for, it simply makes access easier for students in that course when it is on e-reserve. (I’m not sure if this was the case for the instances addressed in the GSU lawsuit.)

Given that e-reserves are pretty innocuous, and that fair use does not substantially cut into the profits of publishers, I find the fact that the lawsuit was filed worrisome. I see this as part of a larger trend in academic publishing in which publishers claim that the digital environment is enabling copyright abuses, while in fact they use these same digital advances to control and limit access to scholarship and research. Consider how publishers have imposed restrictions on the number of times libraries can lend an ebook or how some publishers prohibit ILL distribution of journal articles. While the digital environment theoretically makes access easier for users (those who have the financial and technological means), publishers limit the way that we can use these works to even narrower parameters than we were able to with their print counterparts. By and large, libraries use e-reserves in much the same way they used paper reserves, but now students can access these works from their home. In response, publishers filed an extensive and sweeping lawsuit, claiming that these practices threated their profits and their livelihoods. Judge Evans called these claims “glib”, but I suspect this is just one of many ways publishers are seeking to use technological advances to lock down their content and extract payment for every conceivable use.

Though in many ways this opinion was good news for GSU, I think it is unfortunate that in 2009, after the lawsuit, was filed GSU changed its-reserves policy. The threat of such legislation makes many universities scared and unwilling to assert their full rights as non-profit educational institutions to use copyrighted materially under fair use. By being overly cautious and acquiescing to the unreasonable demands of publishers we risk giving these rights away entirely.

Thursday, August 5, 2010

Doctorow's First Law

I know we've all been thinking a lot about copyright and its changing meaning in relation to digital texts. I think most of us have been thinking about it in terms of readers versus content providers, where readers' rights and relationship to the text are being diminished as content providers exert increasing control over the words of others.

Cory Doctorow provides an interesting fleshing-out of this struggle from an author's point of view in Doctorow's First Law.

In anticipation of the release of his new book, Doctorow has sought out publishers and content providers who will support his effort to release his work DRM-free. This is his second attempt, and after the frustrations of his first attempt, he came up with Doctorow's First Law: "Any time someone puts a lock on something that belongs to you, and won't give you a key, they're not doing it for your benefit."

Read his post to find out what happened the second time around, and to get details on the ruling a few weeks ago that made exceptions to the Digital Millennium Copyright Act.